Let's look at the DispatchTouEvent of Activity first, and the source of all click events received.
《市委书记》讲述的是以韩望杰为首的市委一班人以民为本，服务人民，本着公仆意识、忧患意识、勤俭意识，团结全市人民共同建设社会主义新型城市的故事。故事发生中国东部沿海某地，属国家计划单列市的东州市。
我等同伴被山贼掳去，正要去山阳县请救兵，小将军等既是我大靖禁军，就请施以援手。
Since the 1920s, the influx of Western journalists into China has been like crucian carp crossing the river, but as far as the social status at that time is concerned, no one can expect Aban to match it. Aban is naturally competitive and can't compete for emergencies in the front line, but his real advantage lies in his extensive upper-level relations. The top level of the Chinese government and the top level of Japan, the United States, Britain, the Soviet Union and other countries in China are full of his personal friends. At the beginning, the national government wanted to expel him from the country, but later, all four families took him as their guest of honor. Japan attaches more importance to the fact that the top leaders of various factions and departments in civil and military affairs are eager to break through his threshold. The Soviet Union was also interesting. While setting off a wave of criticism of Aban, it sent an ambassador to talk with him in secret and entrusted him with conveying high-level meanings. As for the United States and Britain, it goes without saying. The importance of Aban lies in the fact that his role has completely gone beyond that of a mere reporter. To the U.S. Government, he is an unpaid senior intelligence agent, providing top secret information free of charge, weighing more than any official spy. To the rest of the governments, he is a supernumerary U.S. Diplomat, and his role is often beyond the reach of U.S. Ambassadors. Therefore, between Japan and the United States, between China and the United States, and between the United States and the United States, he has to send messages frequently. As for the infighting among various countries, they should also reveal their secrets to him so that they can be published in the New York Times and confuse each other. For example, before Japan officially joined the Axis, because of the confrontation between the two factions at the highest level, some people secretly told each other the news, which made him get a global super scoop for no reason. All this, of course, depends on the golden signboard of the New York Times and its inexhaustible resources.
Updated February 7
ps：原野感谢亲们的支持和鼓励。
不知道的，还以为郑家故意显摆富贵，要压刘家一头，说封了侯了，有几个臭钱就了不起了。
二更求粉红哟。
-White, red, green or yellow ring lights, 3 nautical miles.
故事女主原型Rose Cartwright的网站「Intrusive Thoughts」进一步解释说，许多纯粹强迫症患者是完美主义者，对于自己大脑应该思考什么有很高的标准。此类人会花时间分析他们为什么会有这些想法，以及这些想法对他们作为一个人的引导。如果无法达到控制他们大脑的这种标准，他们将会得出结论，认为自己是坏人或怪物。
《狐妖小红娘》的故事围绕人与妖之间的爱情展开。根据古典小说记载，世上有人有妖，妖会与人相恋，妖寿命千万年，人的寿命有限，人死了，妖活着。人会投胎转世，但投胎以后，不记得上辈子的爱。妖如果痴情的话，就去找狐妖“购买”一项服务，让投胎转世的人，回忆起前世的爱。狐妖红娘这一个角色就这样诞生，作品主要讲述了以红娘为职业的狐妖在为前世恋人牵红线过程当中发生的一系列有趣、神秘的故事。
体育系怪力追星少女梁微微（王路晴饰）偶然进入景清（丞磊饰）主演的古装偶像剧中，成为设定死于第三集的废材皇后，为了摆脱"设定"，梁微微利用自己的剧迷优势，熟练利用剧情机制摆脱命运，并与景清所扮演的皇上展开一段奇幻甜虐恋爱故事。
因为对一位知名的“网红”糖豆产生了爱慕，宅男福喜被无辜卷入一起假疫苗犯罪案。老实却又不失机智的福喜、憨憨的表弟小安、制作假疫苗的生物老师、假疫苗案幕后的黑手光头，纷纷粉墨登场。好不容易盼来的假期，却由于遇到了这些人而变得不再安宁，遭遇的各种意外让福喜和小安心惊肉跳，在渐渐喜欢上了糖豆之后，福喜发现糖豆竟然是派来的卧底，为了追查这一起假疫苗案。一个神秘的娃娃，让所有人傻红了眼，并且将他们推到了险象环生的境地。最终，他们找出了娃娃里的假疫苗样本，将犯罪分子绳之于法。
秦淼无力地睁开眼睛，鼻子闻见一股肉香，哆嗦道：肉？有……肉？她伸出颤抖的双手，托着那两块不大的兔肉，送到嘴边用力咬了一口——好香啊。
别急，爹还有别的要求。
不夜城》讲述了为了成为不眠的贪婪火光的主人而展开激烈战争的故事。冷静与热情的化身，兼备能力和财力的企业家徐以景（李枖原饰）、深爱徐以景的朴建宇（晋久饰）和渴望摆脱困苦生活，充满野心的李世珍（U-IE饰），两个女人和一个男人将为了更高的地位、更强大的权利而展开欲望之争。
更不知道自己成为越国王后与这孩子有莫大地关联，乃是天意使然。
《我是僵尸》讲述一位变成僵尸的医学院女学生。为了能获取足够的大脑食用，以维持其基本的人性，主角找到了一份法医的工作，但她却被迫继承了这些被她吃掉的大脑中的回忆。在她的医生和一位警探的帮助下，她成功的解决掉了数起谋杀案。而随着这些案件的解决，也让她脑中那些恼人的噪音慢慢安静下来。
The fundamental reason for using design patterns is to adapt to changes, improve code reuse rate, and make software more maintainable and scalable. In addition, the following principles should be followed when designing: single responsibility principle, open and closed principle, Richter substitution principle, dependency inversion principle, interface isolation principle, composite reuse principle and Dimit principle. Each design principle is described below.
