《疯人夜》讲述的是一群高调的富二代开着跑车载着美女到海边一所度假别墅开Party，别墅的对面是一座废弃10年的疯人院，但是别墅管家告诉他们最近这座疯人院来了一群精神失常的疯子。夜晚临近，富二代们正在别墅里狂欢，精神病者们悄悄潜入别墅，一场人与“神”之间的战争即将爆发!
亚历克斯是一名音响工程师，他不小心录下了一些神秘的声音：来自来世的令人不安的信息，这些信息警告他不要面对迫在眉睫的可怕危险。阿曼达，他与谁分享了一个可怕的秘密，重新出现在他的过去。这名年轻女子的出现引发了令人不寒而栗的超自然现象，留下了一系列尸体的痕迹。她是死者的声音所说的危险吗？
刘宋元嘉年间，天下积弊积弱，侠女骊歌（李沁饰）不解监政刘义康（秦昊饰）暗中蛰伏之志，误以为其纵容奸佞，祸患朝堂，欲借太妃寿宴献舞之机将其刺杀，不料却沦为刘义康和奸佞陆远（戚跡饰）生死相夺的棋子。阴差阳错之间，骊歌成为沈家将门嫡女，并与刘义康联姻。
后来，红鱼因为无法面对李安的母亲和满腔痴情的赵秀，毅然舍弃三片金鳞，救活李安。复活后的李安雷厉风行，有红鱼相助，如虎添翼，二人联手为查明要案和余县的贪官、恶霸、土匪连番斗智斗勇，并最终除暴安良，保一方平安。
ViuTV去年已買下大熱BL日劇《大叔的愛》版權，但一直未有更多消息傳出。今日終於有消息指，港版《大叔的愛》將由57歲的黃德斌飾演黑澤部長一角，而主角春田就由MIRROR成員Edan（呂爵安）飾演，至於部長的情敵、同樣暗戀春田的牧凌太就由MIRROR另一成員Anson Lo（盧瀚霆）擔任。據悉其他演員都是ViuTV班底，預計本月底開拍。
三叔将来真上了战场，难道以为光凭勇猛就能取胜？猛张飞那么个粗人，还在当阳桥那用计迷惑了曹操哩。
A seemingly confident comedy writer, wife and mom comically exposes her inner immaturity and neuroses through unexpected life situations.
乍看之下很会打扮，但其实朴素又像家庭主妇的女高中生堀，与在学校是阴沉土气眼镜男，其实是身上穿了很多耳环的美型男宫村。有如正反两极却又相似的两人，偶然相遇之后…！？
First, what should enterprises do if they do not implement the minimum wage standard?
本片讲述男主人公为了寻找下落不明的女友，来到了女友失踪前的城市。通过一步步调查发现失踪女友曾经工作的公司是一个非法金融诈骗集团，同时该集团的头目渉及其他非法事宜，男主最终通过法律手段制裁了该犯罪团伙，伸张正义。本片人物众多，跨越多个年龄层，以法律为核心，围绕着家庭、伦理、道德等内容展开。主要人物经历生活的困难后，明白了亲情、爱情、友情的伟大，学会了自强自立的美好品德，拥有了独立的人格。通过塑造出为了实现自己的梦想持续奋斗的男主人公，让观众在感动的同时，接受积极引导。本片的内容与百姓现实生活息息相关，且主题突出，易于理解，具有深刻的教育意义，向观众传播理财、法律知识的同时也传播了正能量。
《非处方青春》是一部以当代医学院大学生为背景的青春剧，展现中国大学生积极向上的精神面貌，表现一群青年们怎样一步步从稚气未脱的孩子成长为承担起救死扶伤的白衣战士。
However, for death caused by chronic diseases or aging, the course has certain regularity, in which some signs of death can be identified and some can be perceived by oneself.
在这个史上号称校规最严苛的百年私校“圣英学园”里，学生之间口耳相传的，不是春风化雨的老掉牙故事，而是一旦有人想破坏校园宁静、引发可怕风波的时候，霹雳MIT就会出动，及时阻止事件的发生，默默守护着圣英的正义与和平的传奇。因种种原因，霹雳MIT消失，校园开始作乱，只剩下末代霹雳美眉CHERRY老师(范玮琪饰)。第一个不幸意外发生，谁也没想到这只是整个恶整游戏的开端，黑暗中窥视着一切的恶魔，早已悄悄接近CHERRY老师所带领的霹雳MIT，要和他们玩一场恶魔游戏。每一道关卡获胜的人，可以得到一块拼图，只要将所有拼图拼凑起来，就可以得知恶魔的真面目。但是，万一输了的话，这个学校就会受到永远的诅咒，再也没有恢复平静的一天。为了圣英学园，霹雳队员纷纷出动对抗黑暗势力，但谁是恶魔？曾是美眉教主的天使老师（田丽饰）又与CHERRY老师有何恩怨？而在充满危机的任务下，霹雳队员们的友情、爱情，又会对任务产生什么样的影响？
陆一平（李悦铭 饰）和佟心雨（龚洁 饰）是一对校园情侣。大学毕业后，佟心雨放弃自己的优势专业和陆一平来到陌生城市打拼，陆一平早出晚归，希望有朝一日能成为制片人，佟心雨则在陈梓浩的公司当文秘维持生计。佟心雨默默承受着生活的压力却依然无法摆脱分手的结局。许久后的一次相亲节目让两人再度重逢，而陈梓浩也出现在了相亲现场……
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
同时也敏锐地察觉到，不为不早不晚，偏偏实在这个时候，尹旭愿意娶吕伊了，其中自然有门道。
郑氏见他们神情各异，笑了一下，首先问道：你们说说，照这《女诫》所述，我算不算贤德女子？在座的又是弟弟，又是侄儿的，她也不方便自称娘。
