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有葫芦开头，接下来小葱、板栗、黄瓜，你们兄妹都这么来。若是传出去，传走了样，不利民心。副官提醒道，很快就会进入火炮射程。2. About Exploding Arrows and Arrow Rain　　佟奉全坚辞不应。在街市贩卖中，结识了从瑞贝勒家偷带两箱文玩逃出来的茹二奶奶。佟奉全在为茹二奶奶卖文玩时，得罪了茹的族人索巴被害坐监。后被茹二奶奶花钱赎出。In addition, As Zhang Xiaobo said, On the front line at that time, Wearing or not wearing a helmet is a "choice", Because Vietnam is located in Southeast Asia, The climate is hot and humid, Helmets are heavy and airtight, Wearing it is very easy to cause heatstroke, Particularly in fast maneuvers, This is the easiest way to do strenuous activities such as running. Therefore, in order for the troops to fight more efficiently, There would be no mandatory order for everyone to wear a helmet, If you don't want to wear it, you can choose to wear a cloth cap with eaves. So in the vast majority of relevant historical photos, Among our troops participating in the war, The highest percentage of helmets is worn by artillery, It is mainly used to defend the fragments of enemy artillery and various hard objects brought up by explosions in artillery warfare. Even some border militiamen wore helmets in large numbers, On the contrary, the impact is at the forefront, Infantry units carrying out a large number of mobile combat missions are rarely worn, Investigate its reason, It is for the infantry troops to carry out large-scale interspersed operations frequently. Exercise is enormous, It is really inconvenient to wear helmets, This approach has both advantages and disadvantages, It is not good to judge right or wrong here, but when facing such a horrible "killer bee" on the ground on 149, it is regrettable and regrettable that the heavy casualties caused by the low wearing rate of helmets have to be said. If they had worn helmets instead of military caps like Zhang Xiaobo, the casualties caused by the sting attack of "killer bee" would have been much smaller.《一个人的皮影戏》讲述了生活在平静的小山村里的皮影戏传人马千里，在摆弄了一辈子皮影之后，本来已经忘却了皮影的功力，只作为闲来无事自娱自乐的玩意。可忽然来了一群以大学教授为首的人来考察非物质文化遗产，并认为自己的皮影可以申报，法国人也来给他拍专题片，再加上又可以给村里带来好处，还会有人来学这早已无人问津的皮影手艺，从没想过自己这点玩意也是文化，还有人请自己去大学讲课，称自己是老师、是艺术家。这时的马千里已经不再是那个和蔼可亲的老头，他真的把自己当成了不起的艺术家。随着影片情节的推进，深藏在马千里人性中的名利心被唤醒。经历了由乡村到城市一连串的磕磕绊绊，一个又一个幻影的破灭，钱没挣到，名没出了，反而受到了许多冷落和羞辱，马千里又开始怀疑皮影究竟有没有价值？为皮影这么活着有没有意义？导演借此探究当今这样的文化背景下，如何让传统文化继续生存下去。